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Canadian Author 

S. Minsos, PhD

Academic, Canadianist, Philosopher, Theorist, Essayist, Dr. Minsos is a published Canadian Writer of seven interdisciplinary print and audiobooks, including four novels and three academic works. Methodology for all books centres on the theory of manners: Homo sapiens’ overriding instinct to build power structures (culture clubs) for which dominators can set and administer harmonizing club manners is evident in all but the most solipsistic literature.

 

Minsos says, "In fiction, I kept wondering why time and place and cultural domination were crucial is determining the wherefore of a character's public behaviour and social choices. The same phenomenon is as curious and runs as true in the works of Margaret Laurence, Alice Munro (oh boy), and Edith Wharton as it is true in William Shakespeare and Honoré de Balzac." 

 

Topics, lectures, illustrations reflect her philosophical perspective. She pairs her interest in human nature and socialization with her feminine Canadian outlook.

 

Minsos’s academic background – English playwrights, (MA thesis, James Reaney’s Trilogy, The Donnellys, and reviewer of new drama for NeWest Magazine), and her PhD thesis on novels of manners written in English, (doctoral dissertation focus, novels in English and Sara Jeannette Duncan) – invest her fiction and nonfiction with a distinctive and innovative style.

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Theory of Socialization

If, like me, you are drawn to narratives grounded in extensive research, reasonable scholarship, and an emotional imagination, narratives fuelled by curiosity, you might find my theory of manners and culture clubs offers a compelling journey into the mysteries of the enchanted woods – those being the taken-for-granted complexities of our common human behaviour and the power structures we navigate. Sure, I'm a bit simple. I study manners. My manners. Your manners. How complex is that? Everyone knows and understands the wherefores of their own manners. Your Canadian mum has taught you to say thank you, excuse me, and I beg your pardon (the latter for making unintended rude body sounds, or to apologize for your deafness). She's the whole focus of my research . . . your mum, and you. One might as well start the story at the very beginning. Full disclosure: As interested in gossip as the next person, I have absolutely no (zero, nada, –minus 100%) medical expertise in the quirks of individual behaviours and individual cognitions. I have no idea what any given individual's personal psychology might be – that existential whatever – which compels said individual to make their social choices to better thrive and sometimes even just to survive. But I do see things ––patterns––, thanks to amazing writers, the likes of Chaucer, Shakespeare, Balzac, Hawthorne, Lawrence, Reaney, Laurence, Atwood, Duncan, et al, which my mentors have made me study to qualify as an expert in my profession. I'm not a dunce and you'd have to be a dunce not to observe the ongoing tension between the individual and the herd. That tension is made just as manifest in Measure for Measure, or Pride and Prejudice as it is in The Imperialist. Cognitive psychology and psychiatry focus on our human differences (our neurodivergences, etc.); whereas, through the lens of group adaptability and manners, I study our selected instincts, aka., our samenesses, at least our samenesses when it comes to playing the matrix social game: Weird Tit-for-Tat, described herein.  We are individuals gamers who want our voices heard. We are individuals gamers who want to belong to something larger than our lonesome (to reproduce our selfish genes and to build critical mass, as it were, for our own cultural importance); therefore, we herd. Hooked by my fascination with manners, I, an inheritor of the Presbyterian/presbyterian Brantford manner so brilliantly captured by Sara Duncan, have authored seven books on manners — plus, three Canadian historical novels (one republished) and three non-fiction works. Everything I write is about manners (group behaviour). Both genres allow me to explore and challenge power dynamics to assert, yes, "power lies with the people," but how many people? What constitutes critical mass? Why, when, where does critical mass make a culture club (power structure), which in turn, cooks up the contemporary manners (fitting-in behaviours), which are crucial for the culture club's survival?  Fitting-in behaviours, which I umbrella under the term, manners, range hierarchically all the way up from common civilities, folkways, and communal policies, to bylaws and statutes. With a PhD in English (focus: novels and plays of manners, of course 😏) and a career formed and re-formed within an interdisciplinary Canadian Studies program, I bring a Canadian lens to my writing. I am curious about how internal and external forces, affordances, so-called, shape group identities, teams, communities, power structures and societies, those distinct groups and power structures, which, as stated, I umbrella under the label of culture clubs. Manners are my entrée: who sets them, who likes/doesn't like them, who is the cultural enemy, what are the contemporary affordances (contexts) needed to make a culture club, who quits the club, who is exiled from the club, and finally, endgame. Central to my research is a modification of the tit-for-tat theory of socialization and how, even though we individuals seek advantage over other individuals in the game of life (because we're shaped by what Richard Dawkins calls the “selfish gene" – the primary replicator), we are consciously aware of the way selection actively allows us to mitigate rampant and destructive selfishness, which is much like the good fairy rescuing Sleeping Beauty from her death fate. To avoid constant inter-personal conflict and to enhance a culture club's chances of survival, we make harmonizing manners. Individuals, who want to be recognized as individuals (individualism runs rampant on social platforms), are conflicted, because we are equipped with powerful herding instincts. Courtesy our herding instinct, we create and sustain complex societies — our culture clubs. Sometimes even at the cost of our lives. We are monitored if not controlled by cultural expectations. The herd versus the individual. The herd is powerful, but we want to speak with our own voices  – and our instinct to "speak up" has made Zuckerberg billions. But I digress . . . Political scientist Robert Axelrod (and other male social scientists) believe tit-for-tat sets the mold, the archetypal reciprocal game, that game which begins socialization. Nope! As herders, we very well know what works in chess and checkers won't help us in building a power structure. For herders, simple two-person, zero-sum, endgame (tit-for-tat) isn't enough to explain the rise of the power structure and the making of the team.  ​I argue that the social game includes but is more nuanced than the simple dichotomy of tit-for-tat choices (cooperate or don't cooperate). Instead, we navigate the holy trinity of options: dominate, comply, quit. Our behaviour is not predictive (sorry, economists) but adaptive and responsive, with each of our social moves confronting and debating an envelope of contemporary circumstances (oftentimes, the prisoner's dilemma, i.e., no-way-out). As mentioned, psychologists call our entire envelope of circumstances our "affordances." Affordances are personal. Our age. Our health. Affordances are political or financial: The sub-prime crisis of 2008. Or they are environmental: Antarctica is too cold for cities. Or they are communal: Too many people(s) of diverse backgrounds are crowded into my community; I'll vote against immigration. In Weird Tit-for-Tat, any and all extenuating factors, those which shape our social decisions, (to allow our culture club(s) to thrive), can be called affordances.  Contemporary affordances are the vigorous drivers behind an individual's game choices.  ​Perhaps not surprisingly, quitting a culture club or being exiled from a culture club is often traumatic. Consider the effect of having an American agent of ICE (immigration and customs enforcement) pounding on your front door to deport you from the US culture club – perhaps to Guantanamo. Politics of each case notwithstanding, the individual's reaction will range from shocked resignation to full-on terror. But we know this. We know that fitting is not a given. We have known about the difficulty of fitting in since childhood. Remember the elementary-school birthday parties you missed, or the business or friends' gatherings you weren't invited to? You feel the insult. You feel the fear. The join-up concern holds for children and adults: Together, a culture club's dominators and compliors decide who fits in. When it comes to fitting in, one instinctively understands a Weird Tit-for-Tat principle, which has been at work since forever: One won't be allowed to belong to every culture club one wants to join. Conversely, one won't want to stay in every culture club one has joined, either as a dominator or a complior. The game of life is agile. It has to be; our survival is at stake. Playing Weird Tit-for-Tat allows individuals and culture clubs to meet every contemporary affordance and cope with every changing affordance. To socialize, individuals balance the tension between two powerful instincts — our compulsion to assert our individuality versus our need to fit into a prestigious herd. For over twenty years, my work has explored the tension inherent in this dynamic, uncovering how these two conflicting forces configure everything from inter-personal relationships (teams) to geopolitics. Whether through fiction or nonfiction, I aim to spark your curiosity about the social matrix to offer you a new way to see yourself as an individual and perhaps discover why and how you fit into your culture clubs.

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